Susan is called on the carpet -- click text to watch scene |
Susan is called on the carpet -- click text to watch scene |
“Coma … is only a thriller with an unusually real setting and a crazy plot. It is made decently, without ulterior ambition. But Geneviève Bujold is so remarkable in it that she makes one conscious of how a steady career has neglected her real virtues. She is past that hard sexual radiance so arresting in La Guerre est Finie (66, Alain Resnais). But her face is as sharp and watchful as ever, more drawn than ripe now. She ignores the silliness of Coma and goes about her job like a young mother with too much to do. A gritty actuality lies within her dramatic vulnerability, and in Coma it amounts to heroic courage and persistence. I suspect she could do as much to sustain a far better film, and I anticipate in the next few years either a trailing away or a few parts that reveal a great actress.”
“In Coma, Geneviève Bujold, with her piquant features, her waif's face and sharp jaw, is like a soft little furry animal--a mink--with a dirty mind….
“For once, Geneviève Bujold is ideally cast. She seems dedicated enough to go outside official channels in search of the truth, and demented enough to arouse doubts about her sanity among the very people who might help her. In fact, it is 50-50 whether the wild look in her eyes is attributable to persecution or paranoia…. [O]ne wonders why a suspicious physician in what purports to be a Boston hospital does not simply ring up a local muck raking publication like The Phoenix or The Real Paper and spill the beans.
“… [T]he doctor characters--Geneviève Bujold…; Michael Douglas…; Richard Widmark…; and Rip Torn … are strictly no-frills functional….
“…. Susan is immensely resourceful throughout the movie, yet we are asked to accept that she would make the colossal blunder of confiding all her discoveries to the very doctor who's masterminded the conspiracy….
".... Though it lacks the kicks and tone of a classic horror thriller, it has considerable virtues of its own. Coms's heroine (Genevieve Bujold) has more character and heart than the heroes of most thrillers, and when the movie veers towards sci-fi and horror, Crichton conjures eerie, metaphoric images....